CV
Education
2022 - ongoing Bachelor of Visual Arts, Queensland College of Art & Design, Griffith University, Brisbane
2003 – 2008 Master of Business Administration, FHWien University of Applied Sciences, Vienna
Exhibitions
Solo Shows
2025 Chapter Two: I and Thou – Notes to Self, Land Street Gallery, Toowong
I and Thou – Notes to Self, Griffith University Galleries
Group Shows
2026 (forthcoming) Selbstsein, Project Gallery, Griffith University Galleries
2025 Brisbane Rotary Art Show
Milburn Landscape Prize 2025, Brisbane Institute of Art
Emerging Artist Prize 2025, Revival Art & Design Gallery
Hidden Gems 2025, The Royal Queensland Art Society
Small Works Art Prize 2025, Brunswick Street Gallery, Melbourne
2024 Second Rising, Grey Street Gallery, Griffith University Galleries
2019 Here and There, Queensland Multicultural Centre, Brisbane
Australasian Quilt Convention, Melbourne
Awards
2025 People’s Choice Award, Emerging Artist Prize 2025, Revival Art & Design Gallery
Work History - Arts and Cultural Sector
2025 Workshop facilitator and founder of “Creative Kids West End”, Brisbane.
2024-25 Intern, Griffith University Art Museum
2015–20 Founding director, Martina Latimer Textiles
Workshop facilitator: Kids and adults sewing for all skill levels
Workshops facilitator: Hands on Art, Paddington
President of the board, Silk Shed Toowong
Member of Muswell Hill Creatives, London
Workshop facilitator: People Development, London Metropolitan University
2016 Tutor, Arts & Crafts Division, Sutton College, London
Work history - Corporate Sector
1998-13 Human Resources Management, Project Management, Event Management, Office Management
Bibliography
2019 How moving to Australia unlocked Martina Latimer's creative potential,
The Art Show, ABC Radio, Brisbane
2019 Artisan
2017 Art Gallery Fabrics
2016 New Patchwork Tutor True Trailblazer!, Sutton College News, London
2015 – 2017 Magazine features in The World of Interior, ELLE Decorations, and GQ
Biography
Martina Latimer is a Brisbane-based oil painter whose work explores the complexities of human connection and the natural world. Her practice is driven by a deep appreciation for painting as well as a sustained interest in understanding the world around her—its people, relationships, and the intricacies of daily life.
Long periods of observing nature, reflecting on social dynamics, and engaging with philosophical texts inform her artistic process. Working in layered compositions, she combines traditional renderings of botanical forms with expressive depictions of human interaction. Her work offers an intimate and contemplative perspective on how we relate to one another and the world we inhabit.